Artist Nicole Sleeth in her Chinatown studio with a group of her painting in the background. Don Denton photography

Artist Nicole Sleeth in her Chinatown studio with a group of her painting in the background. Don Denton photography

Artist Nicole Sleeth Paints the Figure

Challenging the viewer with her paintings of women

  • Sep. 28, 2018 8:45 a.m.

– Angela Cowan Story

Story courtesy of Boulevard Magazine, a Black Press Media publication

Like Boulevard Magazine on Facebook and follow them on Instagram

After climbing several sets of narrow stairs and finding myself at the industrial-style door to painter Nicole Sleeth’s Fisgard Street studio — marked only by a small business card — I’m not sure what to expect.

Having been in a few artist studio spaces in Chinatown, I’ve found that they all have their own personalities and quirks.

Nicole opens the door and ushers me in with a warm hello and an easy smile, her dog Poppy running to greet me as well. I decide the space fits her. It’s bright and open, inspiring yet uncluttered, with a dozen or so stunning canvases displayed along one long wall. The painted grey wooden floors and pale walls provide no distraction from her art.

“I love my space,” she says, mentioning she’s only been here a few years. “I feel so fortunate to have found it. The size is incredible. I’ve never had this much space before.”

The larger than life works that line the studio are from her current and ongoing series Gaze, and the women portrayed, who stare out at the world through their painted eyes wearing just their skin, demand a focus unto themselves.

It’s hard to shift my attention back, but Nicole offers me a seat and we start getting to know each other.

Born in Kingston, Ontario, she started painting as a hobby in 1998, and studied in a traditional art atelier fashion with Ottawa artist Bob Grant for eight years before continuing on her own. It wasn’t until 2011, when she was living in Vancouver, that she began painting and teaching full time, after an unexpected but ultimately fortuitous turn in her career.

“I got laid off from my job,” she laughs. She’d been working at an art gallery, and with her newfound freedom, decided to start teaching to help make ends meet while she explored her own art. Within just a few short months of teaching at community centres, word spread and her classes grew large enough that she could move into her own studio.

“It took the pressure off of having to sell my art,” she adds.

Three years later she made the move to Victoria and began offering classes here as well, with great success. Her weekly instruction welcomes everyone, regardless of experience (or lack thereof), and focuses on drawing and painting with a classical approach.

It was also in 2014 that she began her Gaze series after her first workshop at the New York Academy of Art.

“I did a particularly impactful workshop with Alyssa Monks, who is one of my most favourite artists,” says Nicole.

Inspired, she started creating “large scale depictions of nude women who engage and actively challenge the viewer.”

Each canvas stands independently, the women therein relaxing in poses of their own choosing. Their feet are firmly planted beneath them and their gazes turned unflinchingly on the viewer. Some seem to have a hint of defiance, others a calmness. All are grounded and clearly comfortable in their own skin.

“I’m trying to keep it honest and genuine,” she says. “It’s not for the viewer’s benefit.”

Artist Nicole Sleeth in her studio with a current painting. Don Denton photography

The series grew from both her passion for realism and a frustration at how women and their bodies are nearly always treated in media and art.

Always a certain body type, a certain age and a certain demographic. Often with faces turned away or with only select body parts highlighted, it all speaks to a focus on giving the viewer the chance to look, and look as long as they want.

“There’s no accountability,” says Nicole. “I just get tired of that, of certain body parts being more valuable than others. As a society, at least in this part of the world, I think we are too comfortable with voicing our approval or disapproval of women, particularly their appearance.”

Nicole’s works step away from that, existing in their own right as honest portrayals of women.

Her work captures the spark of life in her models’ eyes, the textures of their skin, the humanity in their hands.

But step closer, and you also become viscerally aware that they have been intentionally created. Their edges soften into swirls and brushstrokes until it all deconstructs into light and shadow and pigment. That relationship between paint as an inert substance and something that can bring life to a canvas is something that fascinates Nicole. Though she works in realism, she strives to marry that with an awareness that each piece is still something that’s been created.

“Not photographic. Not strictly duplicating reality, but enhancing it,” she says.

Her style and technique have been evolving over the last three years within the Gaze series.

“I am more careful with my first pass, more thoughtful,” she says. “I try to allow some movement too, to allow some edges to soften or disappear, and others to stand out. A huge thing I’ve found is having their feet planted makes the models feel and appear more grounded.”

And while she’s been involved in dozens of shows in the past, and says she’d eventually like to have a show with Gaze, there are no immediate plans for anything formal.

Without the pressure of trying to make all the pieces fit together, “I can have each painting be the best painting it can be,” she says.

In a way, her relationship with the art itself mirrors what she’s depicting in her portraits: no demands, just fluidity and an honest acceptance for what is. She has given agency not only to her models, but to the work itself, and her passion comes shining through again and again right to the end of our conversation.

“I like painting skin, I like painting women’s bodies,” she says, her hands moving as she talks. “I love the way people look. I think it’s fascinating, and I would love to see more curiosity about it. There’s just so much variation.”

“There’s no judgment. This is just a body,” she says. “This is a person.”

ArtartistArts and cultureBoulevard MagazineCanadian artCultureFemale gazeFigure studyNicole SleethPaintervancouverisland

Get local stories you won't find anywhere else right to your inbox.
Sign up here

 

Artist Nicole Sleeth Paints the Figure

Just Posted

Dave Livesey, right, has been elected as Telkwa councillor defeating Klaus Kraft (middle) and Erik Jacobsen. (Interior News composite photo)
Dave Livesey elected to Telkwa council

Livesey received 60 votes to Klaus Kraft’s 51 and Erik Jacobsen’s 34 in preliminary results

Smithers Local Health Area reported just one new case of COVID-19 from Feb. 14-20. (BC CDC graphic)
Local weekly COVID infections drop to one

The Smithers Local Health Area (Houston to Witset) reported a single case between Feb. 14 and20

A health care worker prepares to test a Coastal GasLink field worker for COVID-19. (Coastal GasLink photo)
Coastal GasLink begins COVID screening of pipeline workers

Construction is once again ramping up following Northern Health approval of COVID management plan

RCMP. (Phil McLachlan - Black Press Media)
Smithers Weekly Police Blotter: Feb 12 – 19

Smithers RCMP open 83 new files including 15 property crime cases

FILE – A COVID-19 vaccine being prepared. (Olivia Sullivan/Sound Publishing)
B.C. seniors 80 years and older to get COVID vaccine details over next 2 weeks: Henry

Province is expanding vaccine workforce as officials ramp up age-based rollout

A health worker holds a vial of AstraZeneca vaccine to be administered to members of the police at a COVID-19 vaccination center in Mainz, Germany, Thursday, Feb. 25, 2021. The federal state of Rhineland-Palatinate, start with the vaccination of police officers in internal police vaccination centers. (Andreas Arnold/dpa via AP)
B.C. officials to unveil new details of COVID vaccination plan Monday

Seniors and health-care workers who haven’t gotten their shot are next on the list

An investigation is underway after a man was shot and killed by Tofino RCMP in Opitsaht. (Black Press Media file photo)
Man shot and killed by RCMP near Tofino, police watchdog investigating

Investigation underway by Independent Investigations Office of British Columbia.

Cannabis bought in British Columbia (Ashley Wadhwani/Black Press Media)
Is it time to start thinking about greener ways to package cannabis?

Packaging suppliers are still figuring eco-friendly and affordable packaging options that fit the mandates of Cannabis Regulations

B.C. Supreme Court in Vancouver on Tuesday December 11, 2018. THE CANADIAN PRESS/Darryl Dyck
B.C.’s compromise on in-person worship at three churches called ‘absolutely unacceptable’

Would allow outdoor services of 25 or less by Langley, Abbotsford and Chilliwack churches

Baldy Mountain Resort was shut down on Saturday after a fatal workplace accident. (Baldy Mountain picture)
Jasmine and Gwen Donaldson are part of the CAT team working to reduce stigma for marginalized groups in Campbell River. Photo by Marc Kitteringham, Campbell River Mirror
Jasmine’s story: Stigma can be the hardest hurdle for those overcoming addiction

Recovering B.C. addict says welcome, connection and community key for rebuilding after drug habit

A Vancouver restaurant owner was found guilty of violating B.C.’s Human Rights Code by discriminating against customers on the basis of their race. (Pixabay)
Vancouver restaurant owner ordered to pay $4,000 to customers after racist remark

Referring to patrons as ‘you Arabs’ constitutes discrimination under B.C.’s Human Rights Code, ruling deems

Nanaimo children’s author and illustrator Lindsay Ford’s latest book is ‘Science Girl.’ (Photo courtesy Lindsay Ford)
B.C. children’s writer encourages girls to pursue the sciences in new book

Lindsay Ford is holding a virtual launch for latest book, ‘Science Girl’

Most Read